By now most of you will be wondering when I’m going to stop writing about my great-aunt Lena. Between Christian Cassidy's research and my own, we have exhausted the topic. Apart from some LDS research I need to do before erecting a monument on her grave at Brookside Cemetery, I’m finished. We now know far more about her life and death than we ever did before. This exercise illustrates the amount of detail that can be gleaned from genealogical, archival and geographical research to bring to life the characters of your memoir. The family photos, news coverage from the fire and a lot of 'perhapsing' resulted in a real person coming to life on the page. I will leave this topic for now and move back to my memoir which has been lying fallow these many months.
After writing the first draft of what I thought was the first two thirds of my story, I got stuck on where and how to end it. I played around with various possibilities but nothing felt right to me. Advice from my writing pals and teacher didn't help either. The unexpected death of our daughter Milo in May 2010 and other family demands crowded in on my writing time. I distracted myself with genealogical research on my husband's family and setting up another blog. I even considered chucking my memoir!
A few weeks ago when playing on Facebook or Twitter, I can't remember quite how, I came upon the website of James FitzGerald, a Toronto author and journalist. I then connected to the Random House site where the first chapter of his latest book, WHAT DISTURBS OUR BLOOD is available. The power of his voice knocked me out. I could see how he deftly braided together the threads of a complex (far more so than mine) family and personal memoir as well as a medical history of his prominent grandfather and father told from the voice of the boy, himself. Suddenly, I could see a way forward for my story.
Now I'm writing again and it will be in my voice, my style, my weaving of the threads of my own story. You never know where the inspiration will come from. Just keep reading. The writing will follow.
Copyright © 2011, Ruth Zaryski Jackson
Showing posts with label family secrets. Show all posts
Showing posts with label family secrets. Show all posts
The Saga of a Blocked Blogger by Sandy Naiman
Many years ago from the time I was about 11, I babysat for a family across the street from us. Last name: Naiman. Oldest daughter: Sandy Naiman, well-known Toronto journalist at The Sun for 30 years, featured blogger at The Star for 2 years, and currently blogging for PsychCentral. Sandy is a mental health advocate and blogs openly of her journey and struggles for balance in her life. I recontacted her a year ago and asked her to be a guest speaker at a WCDR breakfast sometime. Here is her blogpost about her experience on February 12, 2011:
Copyright © 2011, Ruth Zaryski Jackson
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| Sandy Naiman age 4 years |
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| Sandy Naiman Photo by: Mary McIntyre |
Copyright © 2011, Ruth Zaryski Jackson
The Power of a Family Secret
My personal essay The Power of A Family Secret has now been posted on Allyson Latta's new website. This essay appeared in an earlier version in several blog posts on this site. Please click on the title of my essay or Allyson's name, have a look and let me know what you think.
Copyright © 2010, Ruth Zaryski Jackson
Copyright © 2010, Ruth Zaryski Jackson
Even More on Family Secrets
After writing these posts I have been asked: “What sorts of things can become a family secret?” The short answer is: anything someone doesn’t want to talk about openly. Certainly there are always private concerns about your family you don’t share with your neighbours or friends. I’m not talking about this type of privacy: something that’s no one's business. But these are not secrets within the family. Everyone knows that old Uncle Harry is like that, whatever “that” is.
I’m talking about secrets that are hidden from others in the family because someone felt shame and thought it best not to talk openly about it. These secrets are then perpetuated down the generations.
What is considered a secret can vary by family, by culture, by ethnicity and by time. These secrets may be health issues e.g. epilepsy or mental retardation which wasn’t widely understood or accepted in the 19th and early 20th century. Or they could be some form of mental illness like schizophrenia or a bi-polar disorder which also wasn’t understood or accepted. Having a sick family member was perceived as a stain on the family and kept hidden.
Other secrets might be accidents or a death of a child if the circumstances were dodgy and the family felt guilty or responsible. Suicides were rarely mentioned but a trail to the truth can be found when Catholics or Greek Catholics were not buried in their own churchyards. Dementia wasn’t accepted by some families. Stories of family addictions, violence, abandonment, sexual abuse or incest were also rarely passed down or, if so, told in a way that diluted or denied any wrongdoing. Illegitimate children, adoption or raising someone else’s child might be kept hidden. Sexual philandering or divorce might be a secret. True sexual orientation might be denied and never discussed.
Sometimes certain hardships e.g. immigration and poverty were considered noble and some families talked about overcoming their humble beginnings. Other immigrants denied their roots and ethnicities, changing or Anglicizing their names when they moved to cities or needed a job.
Family proclivities for thievery or other illegal activities might become a family secret. Jail records or time unaccounted for may have been glossed over in the family story. A successful family might deny the origins of their financial gains during prohibition.
I heard of another kind of family secret when descendants of a family were trying to figure out their genealogy and family connections to a grandfather who had left a wife who didn't want to emigrate and his children in Europe. The man lived with another woman in Canada and raised a second family. Such a tangled web for his descendants to unravel.
After writing this post, I found a comprehensive piece by Dr. Allan Schwartz which explores Family Secrets. John Bradshaw has also written a book called: FAMILY SECRETS: THE PATH TO SELF-ACCEPTANCE AND REUNION.
I’m sure there are many more kinds of family secrets. Do you have any to add?
I’m talking about secrets that are hidden from others in the family because someone felt shame and thought it best not to talk openly about it. These secrets are then perpetuated down the generations.
What is considered a secret can vary by family, by culture, by ethnicity and by time. These secrets may be health issues e.g. epilepsy or mental retardation which wasn’t widely understood or accepted in the 19th and early 20th century. Or they could be some form of mental illness like schizophrenia or a bi-polar disorder which also wasn’t understood or accepted. Having a sick family member was perceived as a stain on the family and kept hidden.
Other secrets might be accidents or a death of a child if the circumstances were dodgy and the family felt guilty or responsible. Suicides were rarely mentioned but a trail to the truth can be found when Catholics or Greek Catholics were not buried in their own churchyards. Dementia wasn’t accepted by some families. Stories of family addictions, violence, abandonment, sexual abuse or incest were also rarely passed down or, if so, told in a way that diluted or denied any wrongdoing. Illegitimate children, adoption or raising someone else’s child might be kept hidden. Sexual philandering or divorce might be a secret. True sexual orientation might be denied and never discussed.
Sometimes certain hardships e.g. immigration and poverty were considered noble and some families talked about overcoming their humble beginnings. Other immigrants denied their roots and ethnicities, changing or Anglicizing their names when they moved to cities or needed a job.
Family proclivities for thievery or other illegal activities might become a family secret. Jail records or time unaccounted for may have been glossed over in the family story. A successful family might deny the origins of their financial gains during prohibition.
I heard of another kind of family secret when descendants of a family were trying to figure out their genealogy and family connections to a grandfather who had left a wife who didn't want to emigrate and his children in Europe. The man lived with another woman in Canada and raised a second family. Such a tangled web for his descendants to unravel.
After writing this post, I found a comprehensive piece by Dr. Allan Schwartz which explores Family Secrets. John Bradshaw has also written a book called: FAMILY SECRETS: THE PATH TO SELF-ACCEPTANCE AND REUNION.
I’m sure there are many more kinds of family secrets. Do you have any to add?
More on Family Secrets
Family secrets can be the juice of your story whether you are a writer of fiction or memoir. Family secrets can mould character, develop plot, or create a crisis in your story. The power of trying to suppress the secret can create a tension any writer would die for. Discovery of the secret can be the climax if you’ve structured your book as a search or a mystery.
Conflicts can arise between those who want to maintain the status quo and those who want to reveal the truth. Characters may pay the price for suppressing the secret and suffer health or mental health problems. Sometimes the whole family pays the price. Dysfunction is rampant. Why do some characters suffer more than others? Is the price greater for those that suppress the secret or those that want to expose it? Is the family motto "if you don’t think about it, it will go away” better than “the truth will set you free”?
The power of a secret is in its repression. When a secret is suppressed, chronic anxiety, family conflict, personality problems or a need for reinvention of the self can result. When the truth is told, your characters can move on and live their lives, free of the powerful force that had been running them. The emotional charge has been lifted. The family can be viewed by a character as if on a stage, and with about as much emotional investment as if a member of the audience.
But what is an author to do if the family secret is true and you are writing a memoir, not a mystery or a novel? What if your ancestor really was an ogre who abused the family? What if there are still living family members who bear the scars of the abuse? In this case, the answers are not so clear. In my memoir and family story I will have to keep the focus on myself and my story. I need to be sensitive to others’ feelings and keep the backstory where it belongs, in the background.
Conflicts can arise between those who want to maintain the status quo and those who want to reveal the truth. Characters may pay the price for suppressing the secret and suffer health or mental health problems. Sometimes the whole family pays the price. Dysfunction is rampant. Why do some characters suffer more than others? Is the price greater for those that suppress the secret or those that want to expose it? Is the family motto "if you don’t think about it, it will go away” better than “the truth will set you free”?
The power of a secret is in its repression. When a secret is suppressed, chronic anxiety, family conflict, personality problems or a need for reinvention of the self can result. When the truth is told, your characters can move on and live their lives, free of the powerful force that had been running them. The emotional charge has been lifted. The family can be viewed by a character as if on a stage, and with about as much emotional investment as if a member of the audience.
But what is an author to do if the family secret is true and you are writing a memoir, not a mystery or a novel? What if your ancestor really was an ogre who abused the family? What if there are still living family members who bear the scars of the abuse? In this case, the answers are not so clear. In my memoir and family story I will have to keep the focus on myself and my story. I need to be sensitive to others’ feelings and keep the backstory where it belongs, in the background.
A Family Secret
A family theme may be a family secret, but a family secret is always a family theme. There are no secrets in families, even if nobody talks openly about it. A child learns to collude with norms set up by parents to keep and perpetuate a secret. Often the secret continues because of a perceived sense of shame and a need to protect children and force compliance to a standard set by a previous generation.
For example, if your grandfather was a horse thief and went to jail, your parents would likely have known about it; but they never speak of it to you and your siblings. That part of your history is a blank. When you ask questions: "What was Grandpa doing in 1930?", you get a vague response: "Oh, I guess he was farming." But something nags at you. You’re at the age of wanting to know about your roots. You want the details of your family history. Something doesn’t make sense.
So you begin a quest to find the answers. You delve into genealogy. You interview old-timers in the family. You talk to older cousins. Some stonewall you and some are willing to talk. In their branch of the family this story may not have been such a secret. You push on and get the records. There it is in black and white.
You go to your parents if they are still around and ask about it. "Why did you never tell us?" Suddenly they’re talking freely. "You never asked. We were trying to protect you. We wanted you to not carry this stain. We wanted the best for you." You learn the details of the family secret at last.
If you’re working on a memoir, this secret can present a problem. Do you break the rules and write about it publicly? Do you just allude to it? Do you consider fictionalizing your story from memoir to free yourself up, even though readers in the family would recognize the details?
This is the dilemma for the memoir writer: to tell the truth and perhaps alienate family? Fictionalize and still alienate some? Omit the secret, even though it’s the driving force in your family dynamics? Or write about it in a sensitive way, taking into account all points of view and the mores of the times?
This is what Shandi Mitchell did in her novel UNDER THIS UNBROKEN SKY where she fictionalized the heartbreaking story of her grandfather’s life but told the truth of what happened to him. I’m inclined to follow her lead.
What about you and your family secrets? How will you handle them?
For example, if your grandfather was a horse thief and went to jail, your parents would likely have known about it; but they never speak of it to you and your siblings. That part of your history is a blank. When you ask questions: "What was Grandpa doing in 1930?", you get a vague response: "Oh, I guess he was farming." But something nags at you. You’re at the age of wanting to know about your roots. You want the details of your family history. Something doesn’t make sense.
So you begin a quest to find the answers. You delve into genealogy. You interview old-timers in the family. You talk to older cousins. Some stonewall you and some are willing to talk. In their branch of the family this story may not have been such a secret. You push on and get the records. There it is in black and white.
You go to your parents if they are still around and ask about it. "Why did you never tell us?" Suddenly they’re talking freely. "You never asked. We were trying to protect you. We wanted you to not carry this stain. We wanted the best for you." You learn the details of the family secret at last.
If you’re working on a memoir, this secret can present a problem. Do you break the rules and write about it publicly? Do you just allude to it? Do you consider fictionalizing your story from memoir to free yourself up, even though readers in the family would recognize the details?
This is the dilemma for the memoir writer: to tell the truth and perhaps alienate family? Fictionalize and still alienate some? Omit the secret, even though it’s the driving force in your family dynamics? Or write about it in a sensitive way, taking into account all points of view and the mores of the times?
This is what Shandi Mitchell did in her novel UNDER THIS UNBROKEN SKY where she fictionalized the heartbreaking story of her grandfather’s life but told the truth of what happened to him. I’m inclined to follow her lead.
What about you and your family secrets? How will you handle them?
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