" Life Goes On But Your Memoir Mustn't"

After attending a two-day workshop last week called “Illuminating the Path: Finding Theme and Structure in Your Memoir” with Allyson Latta, I try to sort out my notes, my thoughts and wonder how it all applies to my story.

“Life goes on but your memoir mustn’t”, a quote from Adair Lara in Writer’s Digest, became our mantra and challenge. Where do I start and finish my story? How do I construct the narrative arc of my story?

Should I begin chronologically with my early life on Charles Street then move on to the suburbs and what develops there? Or should I start with the move, flash back to longing for my early life in the rooming house, then move on to the crisis, climax and resolution? Another possibility is to start with moving back to the city for university (in the neighbourhood of Charles Street), then reflect on memories of my early years. I wasn’t planning to write about this period in university but my writing group tend to favour this approach. I had another idea about my life on Charles Street but I think this would work better as a short story, so I will set that option aside.

According to Adair Lara and Tristine Rainer, to figure out the narrative arc, the emotional framework of your memoir, you must figure out ‘the desire line’. What is it that you want? This is what drives the narrative and moves the character to the conclusion. In “Elements of Effective Arc” (Writer's Digest July/August 2010)Adair Lara suggests jotting down a list of actions and obstacles:

I wanted _______________ (the desire line).

To get it I______________ (action).

To get it, I then____________ (action)

But ______________ (obstacle) got in my way.

So, I _____________________ (action).

(And so on.)

When I look at this framework, I think that my over arching desire line was to go home again, ie. to go back to the place where I felt confident and secure. What I need to do now is to examine each scene of my memoir and identify my desire line, actions and obstacles for each step of my journey.

Have you identified your ‘desire line’?




Copyright © 2010, Ruth Zaryski Jackson

Freewriting

I am finally back at my desk after a crazy 2 weeks of literary events, birthdays, getting braces on my teeth (at my age!!) and buying a new car. I have been well and truly distracted from my writing.
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When I read back over my last freewriting I realize I was stuck at the transition in my memoir between the end of the beginning and the beginning of the middle. I’m still hanging out at that point. Was the move to the suburbs the end of the beginning? Or was it the beginning of the middle of the story? I don’t need to answer that question right now but what I do need to understand is how significant the move was for me and my developing self. I need to go back over the incidents I do remember from the move and tease out the details that tell my story. For example, I remember phoning my friends a couple of times in Toronto. I don’t recall much of the conversation, just a vague sense that it wasn’t very satisfying. I need to dig deeper here. Much deeper. So back to the freewriting!